来自《耶鲁大学开放课程：现代社会理论基础 第14集 第14集》

• 
  
  kind of sentimentalism of Italian music,
  感情至上的意大利罗西尼音乐的抛弃
• 
  
  and in fact the classicism and coldness
  以及在贝多芬的音乐中所包含的
• 
  
  and pretentiousness in the music of Beethoven.
  古典主义 冷漠和自命不凡的抛弃
• 
  
  And what he found is something new in Wagner.
  他在瓦格纳的音乐中发现了一些新的东西
• 
  
  So he was attracted to Wager.
  所以他被瓦格纳所吸引
• 
  
  And as he was becoming actually increasingly anti-Semitic,
  受他的最后一任妻子
• 
  
  under the influence of his last wife,
  作曲家弗朗兹·李斯特之女柯西玛的影响
• 
  
  Cosima, who was the daughter of Franz Liszt, the composer,
  他开始反对犹太人
• 
  
  and was really a pretty evil person.
  柯西玛是一个非常邪恶的人
• 
  
  And also Wagner was changing.
  同时 瓦格纳的思想
• 
  
  He was becoming in some ways
  在某种程度上也变得
• 
  
  kind of more Christian or something,
  更倾向于基督徒