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Are they abandoned?
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Are they embellished?
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Are they stretched?
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Are they rejected?
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What happens to those resources that the great modernist writers endowed
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language with so powerfully earlier in the century?
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So there are formal questions that we will take up time and again.
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There are questions that intersect between the form and the content in
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every single novel that we read.
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Now perhaps those of you who like to read fiction, and especially who
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like to read fiction from this period,
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will look down at that syllabus and you'll say, "Well, where is?"