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emotion and then asks the reader
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to be as impersonal as that modernist
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artist also must be.
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So what I think we get from
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these two little readings today is a sense
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of where literature finds itself at a kind of crossroads.
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What kind of reader are writers in this period looking for,
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and what do they want from that reader?
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To what context do they address themselves?
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Is it a social context?
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Is it a literary one?
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Is it a psychological one?