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succeeds in passing as Jewish.
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He's a black man,
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and he passes for his whole life as
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Jewish, and in doing so rejects his family.
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In a way, what Coleman does is write his autobiography,
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a fictional autobiography, in the very process of living it.
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So Roth imagines lived life as fictional in the same register as a
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novel, or as truthful--dubiously so, perhaps--in the same register
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as an autobiography.
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So these are questions that will come back to us.
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This is part of what I find so compelling about fiction and
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literature in general in this period.