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And I think that-- in addition to being able simply to
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understand the literature of your moment,
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to understand the literary world in which writers,
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probably among you sitting right here,
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that world in which you will bring forth your next novel,
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what that world looks like-- you can understand that world,
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but also you can understand how art confronts the world in a
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much more general sense.
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That's what's exciting, and that's what I invite you to
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think about with me in the course.
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So I'll stop there, and hopefully I'll see some of you
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on Wednesday.