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musical wills there or musical characterizations.
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So we're going to listen to a little bit more of this,
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and now we want to shift our attention over to the issue of
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the relationship between the voice and the orchestra.
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And this is very different from what happens in Wagner.
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So we're listening here to a typical setup of Verdi,
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and what is the relationship of the voice and the orchestra?
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What is the orchestra doing here?
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Okay. Let's pause here.
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What's the orchestra doing?
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a little sort of pizzicato support underneath,
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not much more.