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So let's talk about this for a minute.
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What constitutes a good operatic voice?--
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which may be a little bit different than
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what constitutes a good church voice
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or a good synagogue voice
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or a good mosque voice on top of a minaret,
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whatever it might happen to be.
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We're talking opera here.
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What do you need to have to have a good operatic voice?
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What would you guess?
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Well, nice tone, a nice tone,
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and a tone that's even from top to bottom.