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Some were slightly closer together,
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and then others farther apart.
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And the key of C actually had a slightly different sound
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than the key of D,
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and it's only in the eighteenth and nineteenth century
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that we gradually shifted from an unequal keyboard
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to an equally tuned keyboard.
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So Bach is kind of part of this transition
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to the equal-tuned keyboard.
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He was getting close to the equal temperament of the modern keyboard
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and that's why he called it the well-tuned keyboard,
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and it--by tuning it this way,