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So that's a good way of thinking of the beginning of a fugue,
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which we will call the "Exposition."
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I'll come back to that point in a moment.
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Notice here I've put a little--
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silly little tree up here.
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We could say that we have the genus polyphony here
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and we've got monophonic texture,
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homophonic texture and polyphonic texture.
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So within polyphonic texture we have non-imitative texture
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and then a stream of imitative polyphony
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and then two forms of imitative polyphony,
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rather strict--exactly strict--