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You can kind of move around by using sequence.
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You can get to different places by using sequence.
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So it tends to be contrapuntal
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because it's using little motives from the theme.
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It modulates,moves around a lot,
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goes to different keys, sounds a bit unsettled.
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If you were to think back on sonata-allegro form
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and try to find an analog for sonata-allegro form in the fugue episode,
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what would it be?
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What is the episode of the fugue like in sonata-allegro form?
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Roger.
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The development?