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So the melodies tend to be long; they tend to be asymmetrical.
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Rhythm--think about rhythm in the music that we've been listening to.
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My paradigm here is the beginning of the
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Fifth Concerto Grosso, in which the rhythm starts out
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It's very regular.
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It's like a machine gun, almost, or a sewing machine,
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or some kind of repetitive process there.
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When we get into the classical period, rhythm is somewhat more
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relaxed but it is still a pattern,
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but here, with this music in the romantic period,
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the themes are not only long and asymmetrical;
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the rhythms don't seem to shake out in patterns that allow us to