up the partials as we said before, with ease,

很容易地高到我们以前提到过的一些泛音
but it couldn't play chromatic kinds of things and as a result

但是一些半音阶却吹奏不出来
it's kind of stuck there in the background kind of providing

结果就卡在那里在背景音乐中造成了
what I like to think of as a sonic glue for the orchestra,

就像我想像的造成了管弦乐中的一种声音胶水
but it rarely plays any solos

它很少在管弦乐协奏曲外
in the orchestral fabric outside of a concerto.

演奏独奏曲
Well, let's see what happens to the French horn inside of the

现在我们来一起看下在十九世纪时
orchestra here in the nineteenth century,

管弦乐中的圆号发生了什么
where it begins to come forth as a solo instrument

它开始作为独奏乐器出现
because the melody it can play is so much more

因为它能演奏出来的旋律
complex and much more interesting.

复杂有趣得多了
So here's a famous French horn lick out of

这就是勃拉姆斯《第一交响曲》中