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perhaps giving you more a sense of far-out distance.
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So that's the beginning of the first movement,
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and I've put this diagram up here because it's interesting
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that so much of the material that he is working with derives
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from a particular complex, a particular cell of material.
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Mahler is a developer and that's, generally speaking,
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what this German main line tradition is into--not always.
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Tchaikovsky's not a developer.
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He has trouble when it comes to developing themes,
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but Beethoven--Mozart's a developer,
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Beethoven is a developer, Brahms is a developer,
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Mahler is a developer, and what they develop is,