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Tchaikovsky's not a developer.
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He has trouble when it comes to developing themes,
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but Beethoven--Mozart's a developer,
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Beethoven is a developer, Brahms is a developer,
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Mahler is a developer, and what they develop is,
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as I say, a nexus of musical material.
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So this here is the initial idea
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and we can go back to our technique
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and then we'd go back down to the
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, which would lead back to the tonic.
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So we could have one more X down here
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but it's the same X as up there.