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So we could have one more X down here
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but it's the same X as up there.
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All right.
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So that's the essential motive of the first movement.
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Let's go on to hear just a little bit of the second movement,
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which is a delightful scherzo here of the first
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symphony of Mahler, just a scherzo.
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And now we're going to go on to a very strange movement,
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the third movement, the slow movement.
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Remember in symphonies we usually have fast,
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slow, scherzo, fast, finale.
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Well, in the late eighteenth, early nineteenth century,