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of Chinese literature.
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So, imagine someone saying to John Barth, "Wait a minute.
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You changed the story of The Odyssey.
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You're a fake."
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That's essentially what Frank Chin says to Maxine Hong Kingston.
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It has a kind of traction to a certain audience,
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because the purity of an origin of that kind matters,
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if you think that that's where authenticity of an identity resides.
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So, if it's a cultural identity at stake, the authenticity seems to
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matter in a different way.
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Now, Barth can give us a different kind of example of this.
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Authenticity: