来自《耶鲁大学开放课程：1945年后的美国小说 第14集 第14集》

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  with the Identity Plot itself.
  即使这与气质主线本身并无关联
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  Then there are incarnations of it that don't reflect on any of those
  当然啦 也有小说完全无视
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  aesthetic issues, don't reflect on the history of the
  刚才提到的那些美学问题 它们不关注
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  literary tradition, don't engage questions about
  文学的传统历史 也不关注
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  language, that deliver instead conventional,
  语言方式 它们描画俗世
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  predictable satisfactions of the genre, and these we would
  无视读者的期待 我们把这类
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  call genre fiction.
  称作风俗小说
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  And, if you recall, Nabokov talks a little bit about
  还记不记得 纳博科夫谈到过
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  pornography as genre fiction that gives you that predictable
  风俗小说中的色情流派 能让人不自觉地
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  mechanical frisson of pleasure at the predictable place,
  对书中某处 产生兴奋和愉悦感
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  and he describes Lolita as rejecting the convention of pornography.
  他说 他用洛丽塔对抗这种小说模式
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  You can think about his description as applying also to the Identity
  结合这段话去思考特质主线