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subject of history.
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It's not unrelated to identity, but it is distinctly different.
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And so, in Cormac McCarthy for example, there is a palpable
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engagement with history.
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And in Edward P.Jones,
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in a novel that really seems like a classic outgrowth of the
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Identity Plot novels, especially of Toni Morrison,
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is really much more about the terror of history than it is about the
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dramas of identity.
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So, we will see how that subject gets changed.
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When we read the Woman Warrior we might feel that it is very,
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very conventional because it does so much of what I have just described