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We can flip this just a little bit.
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We can say, "All right. Here's our tonic up here"
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and go that way.
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Tonic, sub-dominant, dominant, tonic,
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that way.
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So we could go--come up from the tonic or go down from the tonic.
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Generally speaking,
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composers are more likely to go down from the tonic
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and then come back up to the tonic
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and they aren't likely to go the other way.
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So we've got these three basic chords
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that we're going to talk about.