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you could assign to your clarinet to play
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in three- four and your bassoon to play in four-four,
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and maybe your violins in seven-eight.
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So as a result, you get something of a disjunctive,
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rhythmic texture here, disjointed rhythms.
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And the second aspect of this approach to Modernism
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has something to do with the orchestration.
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There's a great deal more emphasis now on percussive effects.
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New instruments are added to the orchestra,
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instruments called the xylophone,
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the glockenspiel, the celesta.
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And if you want to see a picture of some of these