来自《耶鲁大学开放课程：聆听音乐 第22集 第22集》

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  we have percussive effects with the existing instruments.
  也把现有的乐器加上了打击乐的效果
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  And perhaps most important here is the chord,
  也许最重要的一点是和弦
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  the music that Stravinsky is setting forth here.
  斯特拉文斯基在这里采用的
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  It's an odd chord.
  是一个奇怪的和弦
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  It's an odd occurrence.
  听起来也很古怪
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  What he's got here is a perfectly innocuous E major triad.
  他在这里用的是很和谐的E大调三和弦
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  [plays piano] I'll put it down here an octave.
  我得把这个降低一个八度
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  And then on top of it he's got a seventh chord starting on E-flat.
  之后他又再上面加了一个降E调的七和弦
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  And either--each of those--each by itself is rather consonant,
  这两个和弦本身都是很和谐的
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  but you put the two of them together [plays piano].
  但是当你把他们两个放在一起的时候
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  So this is a good example of another way
  所以这就是现代主义音乐
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  that Modernism in music is created,
  表现方法的一个例子