two modes of creativity embodied in Lolita,

在洛丽塔身上出现两种创新
in that one act, and in that name.

一者在于她的行为另者在于她的名字
She is giving birth to a real, live thing--

多莉为了生下一个新生命而死
not a creation that is more like stone, but an actual person.

不是石头那样的造物而是一个鲜活的生命
And so, what you see is not just the paradox of wanting your work of art to be a living work of art,

由此我们所面对的不止是想要让作品富有生命力
to be personified in that way or made animate that then exposes it to mortality--

让其变得有人情味或赋予其生命置其于有限之中
the Woolworth's workers

变成伍尔沃斯的工人那样
who don't read it and who think no one in the world ever reads it,

认为这玩意自己不会去读认为他人也不会去读
that kind of risk.

冒上这样的风险
Your book cannot live if it has no reader to meet it at the

如果一本书的读者与作者无法在想象的迷雾山峰之顶邂逅
top of that mountain.

这本书就永远无法具有生命
But Dolly embodies that other kind of creativeness:

多莉象征着另外一种意义的创造