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Last time I finished up my lectures on by
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trying to draw together three different ways of reading the novel
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into one interpretative framework, and what I ultimately argued was
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that the New Critical formal unity of the novel that is epitomized,
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I think (in a somewhat, perhaps, heavy-handed way),
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in Chapter 7 of the novel--that's book-ended by the symbol of the blinding white cloud--
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that it's that unity,
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in a sense, that replaces the bodily unities
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that are always blown apart in O'Connor's fiction.
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And, in a certain way, what you see is a fiction that is personified in that way,
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that it takes on the qualities and the values of the person,