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in fact there is some other voice here,
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and it's a voice that can't help but drop
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the name of Vladimir Nabokov into the prose.
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So, right away, in this moment of layered narratives,
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a framed narrative around another narrative,
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there is a sort of instability in the layers.
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Where is Nabokov here?
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There is also the question of what kind of reader we are that this
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preface brings up and sort of puts in front of us.
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Are we the kind of reader who is interested in the real persons?
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Well, it gives the story that's to follow that sense of being true,
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because it suggests its fictionality as a thin veneer