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hypothetical solver.
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Just as in a first-rate work of fiction, the real clash is not
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between the characters, but between the author and the world.
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So that a great part of the problem's value is due to the number
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of tries, delusive opening moves, false scents, specious lines of play,
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astutely and lovingly prepared to lead the would-be solver astray.
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But whatever I can say about this matter of problem composing,
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I do not seem to convey sufficiently the ecstatic core of the process and
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its points of connection with various other,
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more overt and fruitful, operations of the creative mind:
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from the charting of dangerous seas, to the writing of one of those
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incredible novels where the author, in a fit of lucid madness,