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A little dab of color there,
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A little dab of color there.
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What's interesting him is not line but just color.
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He's going to pull in color away from line,
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And that begins to happen here in the painting of the period.
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They begin to intensify color and separate color from line.
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Here we have matisse, nineteen oh-nine, "the dancers."
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This is version one of this.
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You may not know that he actually
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painted this particular scene twice.
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Version one, notice just the kind of flesh-tone colors;
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Notice the position of the knees.