来自《耶鲁大学开放课程：聆听音乐 第21集 第21集》

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  Of this period and they begin to take this color
  他们开始运用这个颜色
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  And just play with the color itself outside of line,
  而且只强调颜色 而不拘泥于线条
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  Which is what debussy is doing.
  德彪西也是这样做的
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  So let's go on to the next slide here.
  让我们继续看下一张
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  Here is matisse's "red studio," for example,
  例如 这是马蒂斯的红色画室
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  Where the color red begins to overrun everything or
  红色蔓延到了所有东西上
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  In musical terms let's go to duffy's "red violin"
  或 在音乐界可以说到戴菲的红色小提琴
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  Here where the red varnish quality of the violin is spilling out
  小提琴红漆的质地像要溢出来
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  Outside of the line or normal confines of the instrument.
  超越了乐器的线条和正常的范围
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  So that's an interesting point,
  我想这很有意思
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  I think--to watch these two arts work in tandem
  在历史中的这个特定时期
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  At this particular moment in history.
  看到一件艺术作品一前一后的两种版本