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is that ability to embody the voice.
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So, that's one reason why you write a novel
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instead of being a sociologist.
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Another reason is to push the boundaries of what's credible,
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to push those boundaries so far that
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you can see the abject very clearly in front of you within a literary form,
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and so she chooses Pecola as the ugly child.
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She seems to have no redeeming intelligence.
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She has no one who really loves her,
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except maybe a few whores who live above her house.
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She has no conversation that we really recall.
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She doesn't say anything particularly witty.