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Now, this is not exactly what you'd want to call a feminist position,
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although Morrison certainly is I would say a feminist writer in the largest sense of that word.
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But what she has tried to do here, in keeping with the challenge
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that I think she must have set for herself,
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is to make us see Cholly complexly enough
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to sympathize with him even after he commits this crime.
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So she takes a certain kind of risk, but that's why she does it.
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She wants us to see him in a sympathetic light.
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This is what a novel can do.
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It requires that lyrical quality of voice;
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it requires the buildup of history,
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and it requires, in this scene, the return to that precise language.