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She learned a lot from Virginia Woolf.
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She wrote her MA thesis on Woolf and Faulkner,
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on suicide in Woolf and Faulkner,
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so she herself is highly educated,
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deeply trained in the modernist avant-garde,
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and yet she looks for a reader that has rejected all of that that she calls on so skillfully.
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Reading is such a vexed activity for Morrison
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that she represents both reading and writing as something like the equivalent of being the victim of rape.
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That pushes the idea of sympathy into another register altogether.
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It's a text that is essentially theorizing itself as reaching out to you--
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not in the sense just of making you feel like Cholly's an okay guy,
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that he's human and not some monster--