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And he creates the following kind of music.
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We start out here with
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and then it begins to move a little bit in pitch.
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It's a good example
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of something that we'll talk about in a moment,
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but if we want to have the sense of the inexorable march of something,
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what better way than a repeating bass line?
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Then we have a melody begin
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and then we didn't have time
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we have a C motive that we wanted to put up here
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So when you read your textbook there,
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I interpreted this as follows.