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So, Ernestine's story doesn't get you Steena dancing at the
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end of Coleman's bed, for instance, a very important scene
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in Nathan's construction of Coleman.
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So, there are scenes like that, that are purely the product of
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Nathan's imagination.
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You have the final spasm of this kind of imagining
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when Nathan stands at Coleman's grave and
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asks him to speak to him one last time and tell
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him the story of telling Faunia his racial secret.
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So, you have that last scene where we enter fully in to the minds and
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voices of those characters.
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One question that you want to ask, here,