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It's somewhat related to the simplification of thinking that
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homoerotics is the desire for the same.
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What both of these logics leave out is that point
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that is insisted upon, actually, earlier in the novel,
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which is that the other fellow always has a life you can't know,
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that it's simply the otherness of any individual person that keeps you
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from knowing more than you can see on the surface.
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It's the otherness, not the racial otherness,
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necessarily, but just the otherness.
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So, in these last pages, otherness gets collapsed back into
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racial otherness, and I think perhaps this is why
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Ernestine emerges as a stereotyped character.