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this period because of the very complexity with which he makes the
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texture of his novels speak to the question of fiction's
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relationship to life, writing's relation to life,
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and the relationship between the writer and what he or she writes,
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the writer and the work.
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These are questions that vex writers in this period.
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We have seen many writers in this syllabus who worry about
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these things: Barth, Morrison, so many of them,
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Maxine Hong Kingston.
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Roth does it in a way that nobody else particularly does.
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He's also widely admired.
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When The New York Times had this feature a few years ago--