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those kinds of narratives, Roth is taking a kind of risk here.
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He's playing it safe because he knows that this is a topic of
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interest, but he's taking a risk as an artist because he's working in
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very well-trodden territory.
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I suggested that, also, when a genre reaches a certain
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point of saturation, writers tend to change the subject.
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I didn't say this when we talked about Blood Meridian,
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but I think in part Blood Meridian is that kind
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of change of subject.
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So, this returns to the genre, and we want to ask what it's doing
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with the genre.
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Before I go in to my meditation on that question today,