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scandal.
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You want to ask yourself, what kind of history is each writer
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invoking?
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I want to suggest to you that if you press on the markers
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that Roth chooses, you will find something more than
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trivia, more than contemporary trivia, that Roth has in his sights
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an equally universal, trans-historical kind of truth in
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this novel, that's brought up by those little details of history.
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And that trans-historical history is the history of desire,
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of which both those things are indicative.
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I will say a lot more about desire and its relationship to the history
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of literature and to writing in this novel in my Monday lecture,