来自《耶鲁大学开放课程：1945年后的美国小说 第19集 第19集》

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  again on 108, is the raw "I,"
  还是108页 未经修饰的"我"
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  all the subtlety of being Silky Silk.
  做柔软的丝绸的细微之处
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  So there you have encapsulated, in a very short amount of prose,
  你们已用简短的散文
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  a major form--narrative form, narrative dynamic--
  主流文本 叙述性文本 叙述性动力
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  of the Identity Plot as a genre.
  将身份情节流派概述出来
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  On 144, you get another version of that, slightly more personalized
  144页 它的另一表述形式
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  to his family.
  更个性化地描述了他的家庭
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  This is another version of identity and
  这是身份的另一版本
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  what Coleman thinks about it.
  也是科勒曼对其的另一种看法
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  This is after we get the history of Coleman's family,
  这是在我们了解科勒曼家族祖先的历史
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  his ancestors, and we're told that he is not the first to pass as white
  并得知他不是第一位混充白人
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  or to disappear from the black family in to which he was born:
  或是从生身的黑人家庭消失的人之后