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the difference that you feel from the various "we" groups
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you are asked to join.
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But there are other versions of identity that are imagined here,
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and they track pretty clearly with scholarly ways of thinking about
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identity at this same time.
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So, in one sense identity is this radical individual humanist version
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that I've been tracing in the last few minutes.
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Another is that identity is a constantly changing performance,
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and we get that too in Coleman.
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You see it, again, right in the section about Howard on
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109, and I want you to note the words that Roth chooses here,
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109 in the middle: "He could play his skin however he wanted,