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I think that last sentence, "The secret is to find sustenance in
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people like Hawthorne," gives us the answer that I'm content with.
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And that is: yes, it's a withdrawal from life if you
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don't understand Hawthorne as a person, as someone with whom you can
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become entangled.
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It's the very act of thinking of a literary forebear as a person rather
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than a text that allows this to be a productive state,
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one that Nathan will be drawn out of by Coleman, but yet one that the
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novel does not reject.
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It's when Coleman becomes for Nathan a character, the person becomes this
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living representation, that he is drawn out of his
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solitude.