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was made, and the choice of form was made,
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and the money was gathered together
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and paid to the artist or the sculptor who would do this,
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then we come to the third part of the commemorative process.
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The first is political.
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By that I mean small politics more than big politics.
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The second is business, the money,
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the commissioning,
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the putting together of the project.
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The third is the ritual.
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What do people do when they stand in front of a war memorial?
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The answer is very different things.