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We talked about that in a lecture on Impressionism,
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but by the same token,
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your Listening Exercise forty-two on Stravinsky
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foregrounded precisely this phenomenon of ostinato.
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So there we have Romantic being taken out of the mix here
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and this idea of stasis is not part of the aesthetic of Romanticism.
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Romantic flows,it grows,it expands,it contracts,
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but it doesn't constantly reiterate one phenomenon.
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So we--we're down to Impressionist or Modern here.
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Let's go on and listen to just a little bit more.
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Okay, let's stop there So what did we hear there?
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Anything more that we could add to our list of identifiers?