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So it's the orchestra, particularly low brasses and that kind of sound,
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that typifies the sound generally
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for orchestral music in the nineteenth century.
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Then, whereas Daniel was talking about bow tie, they're tied together,
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you don't--what he was intimating there perhaps was
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that we have this kind of paired phrasing
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or neat little units of phrasing that can be tied together.
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That's a component of Classical music.
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As you go into the Romantic period,
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the themes,the melodies,become much more expansive,
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and someone I think said earlier on here it has--
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maybe the first point was there's pretty regular meter