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So, that fragmentation of self is another layer of the problem of knowledge.
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How can you know anything, when you're not a stable knower yourself?
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And I just want to look back to some of the other readings on our syllabus,
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to think about how these problems have been addressed.
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So, how do you know about the past in Robinson, for Marilynne Robinson?
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For her, writing is the transcription of consciousness,
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of human consciousness.
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There is an endless present to her work and when she talks about
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writers from the nineteenth century for example--Hawthorne,
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Dickinson, Emerson, Thoreau--she calls them aunts and uncles.
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I think it's very telling.
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It's as if they were part of her family, part of her present,