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It suggests that the human tendency towards violence has no origin, has no end.
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It's a different kind of eternal present from Robinson's,
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and yet it is still one that gives him a seamless access to the past,
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so he can make modern U.S.-Mexico border look very much like,
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for example, the U.S.-Mexico border in the 1840s (and this is later in
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his Border Trilogy when you see the nuclear tests in this same
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landscape that we've seen all the action of Blood Meridian).
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So, he makes those two look very similar in that landscape.
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Philip Roth: how do you know the past?
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Well, this is a major theme of my lecture on Wednesday of last week.
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How does Nathan know any of Coleman's past?
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He has to rely on other narrators.