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raised in that novel.
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At the same time, like McCarthy,
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he has a trans-historical understanding of what access to the past would be,
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through the trans-historical theme of desire.
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So, desire is the same now as it was in Hawthorne's time.
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The desire to purify the American libido in the Monica Lewinsky trial
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is not different, for Roth,
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from the spasm of purification
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that Hawthorne writes about in The Scarlet Letter.
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So, that is a different vision of what it means to be trans-historical,
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and I think it allows for Roth that fearless setting of the contemporary.
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He doesn't look to a historical setting that's distant from himself.