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You may not realise it, Ms Puznowski,
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but Harry Deane knows Monet like I know...
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Actually, I don't know anything quite like that.
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The artist has used a light ground true to Monet's habit.
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The palette is very limited, no blacks or browns.
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Cerulean blue and cadmium yellow to achieve his broken colour.
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And unlike the heartbreaking fraud perpetrated on the Austrians,
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the signature is correct.
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It is Monet and it is very fine indeed.
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And that, Mr Deane, is good enough for me.
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Shall we discuss terms?
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System armed.