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So he's going to repeat each of these two sections.
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Actually, Beethoven did that
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to some extent in the "Ode to Joy"Too.
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So he's got this very straightforward theme
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with that particular form. Let's listen to the theme,
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and we'll try to pick up where the antecedent concludes,
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and where the consequent begins.
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Oh, and before that, we could plug in other information.
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What's the meter?
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Ask yourself as you listen what's the meter of this,
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what's the mode--major or minor?
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What is the bass doing,