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What--what's that?We've talked about it before.
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We're coming on one, two, one and two and one and two and.
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What's that?
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Triplets?Okay?
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So we talked about that before.
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So here he's making this more complicated rhythmically
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by not only using hemiola and syncopation,
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but also threes against twos simultaneously.
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He's throwing in some triplets in the melody up above.
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Okay. Let's continue just a bit more.
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Right there, that's fine
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So at this point you say,