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This is pretty cool what he does here.
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He's in this particular key
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and he gives us this sound,
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kind of a shocking chord change right in the middle of the piece.
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It's kind of what we would call a flat seventh degree.
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Let's see if we can hear this tonal shock and then we'll stop.
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Then he jumps back to the tonic
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and from there on out he's just running the
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I, VI, IV, V, I instrumentally in this section.
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Then the B section comes back
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and the A section at the end so that's it.
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I think we're out of time.