after hearing his voice, is that very essential divine sound,

弗兰妮可以调节那是非常圣神的声音
meaningless sound.

没有意义的声音
And so, this is how Salinger balances the syncretic,

因此这就是塞林格如何平衡融合着
the sort of empty mysticism of Seymour and Buddy,

西摩和巴蒂的空洞的神秘主义
with the embodied, doctrinal, specific insistence that

和表现出的教条式的坚持
we see from Zooey, from the insistence on human

我们从祖伊身上和人类的坚持上看出
specificity, the Fat Lady, the very material human fleshly person.

那个胖女人活生生的非常物质化的人物
Salinger's own novel performs in this way, and that's how you would

塞林格的小说以这样的方式呈现
want to think about moments

你们需要想一想在某些时刻
like on the bottom of 180.

例如在一百八十页的底部
This is describing the bedroom of

在描写祖伊走进
Seymour and Buddy as Zooey walks in.

西摩和巴蒂的卧室的场景